Friday 20 May 2016

Uncanny Valley-



chris cunningham



ALICE IN WONDERLAND

'ALICE' svankmajer

surrealism

Friday 22 January 2016

Presentation Script - Alfred Hitchcock, Auteur


Presentation Script

[PROJECTOR]: In what way does Alfred Hitchcock's specific use of suspense make him an auteur?
[PROJECTOR]: Image of Alfred Hitchcock (14)
[SPEAKER]: During this presentation I will be giving evidence to why I think that Hitchcock is an auteur "A film director who influences their films so much that they rank as their author".(4) I will be discussing the ways he conforms to my statement and the ways in which he's directing contradicts this. I will additionally looking into why he is more commonly known as the 'Master of Suspense'.


[PROJECTOR]: Scene from Vertigo, John hanging on to the side of the building (2)
[SPEAKER]: In Vertigo (Item 2) Hitchcock uses different camera angles to create suspense for the audience as the protagonist is hanging off the side of a building. I think that the most effective camera angle within this scene is the one where he uses a bird’s eye view, as they are up high it gives you the exact idea of what John, who is dangling of the side of the building, is seeing when he looks down. "Always make the audience suffer as much as possible."- Alfred Hitchcock.(8) This shows that during this scene and many others Hitchcock purposely has in mind what the audience is going to feel at all times. It shows that he tries to create a reaction by making them suffer by mainly using suspense, especially in particular scenes, which I think makes him an auteur because not only is he trying to get the meaning of the film across he is trying to make the audience feel uncomfortable. He is trying to engage the audience in another way, making them feel different emotions instead of just being spoon fed a story line they have probably already seen before and he does this by using technical features to create suspense. Additionally by him using the word 'suffer' states to the reader on how Hitchcock is as a person as well as a director. It shows that he is trying to use suspense to specifically make the audience 'suffer' which if by gaining the preferred reading will make the audience remember his films more because of the emotional trauma they go through from his uses of suspense.

[PROJECTOR]: Psycho, 1960, Shower Scene (1)
[SPEAKER]: Psycho (1960) (1) is one of Hitchcock's most famous films, It has captured some of his most memorable directing moments especially with the iconic shower scene. There is a shot reverse shot and the camera jump cuts to her mouth open whilst she is screaming, getting closer each time. It has sharp cuts from the murderer to the victim and continuously back and forth as the woman is killed. Close ups of the knife stabbing the woman are shown which then would be disturbing for an audience. There then is close ups of her hand against the shower wall sliding down it. You can see the blood running with the water on the floor of the bath. Constantly the angle of the shot changes too which the enables you to see from all different views for instance there is a high angle when she is struggling to try and get the knife away from her. By doing this it gives the audience a sense of power and belittlement to the woman showing she is highly vulnerable. "Psycho was, simply an assault on the audience" (9, page 94) I think by being able to use these simple techniques and create fear amongst the audience and so much they themselves feel targeted, alongside the music, makes Hitchcock an auteur because he essentially created one of the greatest scenes in cinema history by using just simple technical conventions and completely terrified his audience. "I'm 47 years old now, and every day when I go into the shower and turn on the tap, I think of Psycho (1960)"- Del Toro. (5) I think that this quote shows how influential Hitchcock is to people even now. I think this is a strong quote to prove that Hitchcock is an auteur because he is remembered within people’s daily lives and activities. Additionally this quote from Del Toro who is a well-known film director and critic, therefore he will have seen many films in his lifetime yet this particular scene stands out to him. This shows that Hitchcock is a successful auteur because he stands out to someone who has probably seen the very best to the very worst of films. Additionally by the fact that this film is remembered by him just simply taking a shower, a normal human activity, shows that his films are stuck in his subconscious and that because they are so remember-able and impacting they stay with the audience forever and this is why I think Hitchcock's use of technical ability as a whole makes him an auteur.
[PROJECTOR]: Psycho, 1960, Arbogast meets the mother (1)
[SPEAKER]: In this scene Alfred Hitchcock proves he is an auteur as he establishes an eerie feel to the scene with the help of the music. Arbogast walks into the house and walks up the stairs he looks back behind him. Right then from the start we subconsciously start to decode the fact that he is slightly scared himself by being in that house alone. We then see a close up of the bottom of a door, a beam of light is seen as the door opens, but we do not see anyone. This can then make the audience feel terrified and create suspense by the fact of the fear of the unknown, who opened the door? Is it the mother, or something else? By the use of these camera angles Hitchcock is able to create paranoia within the audience by not showing them exactly who it is straight away. The music is slightly eerie and tense, however it is calm and quiet. Then it cuts to a bird’s eye view the music becomes loud, sudden and scary, more upbeat to previously. The camera cuts to a reaction of Arbogast, scared with his mouth open, a headshot with blood on his face. Then from this shot it tracks him as he falls backwards down the stairs. This kind of is like a point of view shot from the mother as if she is following him as he falls. There is a cut to a long shot of him falling on the floor and the mother raising her arm to stab him. Then it cuts to a close up of the knife in the air as it moves downwards towards him, you hear him scream and it fades to black. “The only way to remove numbness [of civilisation] and revive our moral equilibrium is to use the artificial means to bring about the shock. The best way to achieve this, it seems to me, is through a movie” (9). I think that this shows that Hitchcock wanted to bring a shock back to the audience, which I think he achieved by having the mother kill a man. This is because stereotypically women are meant to be loving and not harmful and they are usually the victim however this then breaks that stereotype. I also think the shock is achieved by the sudden use of music and by the way he cuts from a long shot to a close up of the knife, making it more uncomfortable because it is suddenly so close to you.


[PROJECTOR]: The Birds, Alfred Hitchcock's cameo walking out the pet shop with two dogs. (3)
[SPEAKER]: I think the audience were prepared for the suspense from the beginning of the film, because they are looking for Hitchcock to appear. Therefore I think that this is another element of how the audience can feel suspenseful without using technical conventions. "By making a cameo appearance near the beginning of almost all of his films, he became personally famous at a time when most people never ever thought about a film's director." Roger Ebert. (6) I think that this shows that Hitchcock became influential to the film industry because as Ebert says, lots of people were not interested in directors at this time whereas if you look at directing now in a more modern time you can see the difference in how society has developed in appreciation for everyone who works on a film. This can be shown in categories for film awards for example; Best Director, Best supporting artist etc. Additionally as he was one of the people that helped change this not just for directors but for everyone within the industry and I think it makes him an auteur because he successfully made an imprint on the world of film and helped develop it further. "In fact, the auteur theory itself is a pattern theory in constant flux. I would never endorse a Ptolemaic constellation of directors in fixed orbit. At the moment, my list of auteurs runs something like this through the first twenty. Ophuls, Renoir, Mizguchi, Hitchcock, Chaplin, Ford, Welles, Dreyer, Rossellini, Murnau, Griffith, Sternberg, Eisenstein, von Stroheim, Buñeul, Bresson, Hawks, Lang, Flaherty, Vigo." (7). Andrew Sarris wrote a book called 'Notes on the Auteur Theory' in this book he explains the auteur theory in full and he also writes about the top twenty people at the time who he would consider an auteur and within this top twenty Hitchcock is included. I think that this is important because he is a specialist and as a specialist explaining the auteur theory he has established that Hitchcock in a auteur I think shows a real importance to how not only do people who do not specialise in film think he is a very important director but also people who specialise in film recognise his importance to the industry.


[PROJECTOR]: "All so different - so which one of those is Hitchcock? He's all of them. Over the course of more than 50 films, he became a genre himself" (5)
[SPEAKER]: Del Toro states that Hitchcock was that good of a director that he became a genre, his style of directing is so unique that he is so much more than just a director. Hitchcock was so well known and good at what he did he was called the master of suspense. For example in Vertigo (2) when John is hanging off the building using high angles to show his fear of heights. I think that this is a very strong statement in which it shows justification to Hitchcock in why he is an auteur or even better than that. I think that the fact that many people have called other films such as David Fincher's 'Panic Room' a Hitchcockcian film shows that he isn't justify ordinary director, he is an auteur.

Thursday 8 October 2015

City of God

What is the importance of mise-en-scene and/or sound in creating meaning and generating responses in the film you have studied?






In City of God there is a scene in which a character called 'Knockout Ned' house is destroyed and people are killed. The mise-en-scene shows that they are a poor family within the favela's like everyone else however you can see they have worked hard to get what they have by the shots showing the audience their possessions.



The scene starts just after Li'l Zè has sexually abused Knockout Ned's girlfriend. Inside the house the audience can see the family together, the camera's close ups help the audience to gain the emotion from the actors performance as a part of mise-en-scene. This enables the audience to sympathise and gain the preferred reading of the fact that they are a close family. This calm situation then becomes the complete opposite when Li'l Zè is calling Knockout Ned outside. The camera changes to become hand held creating a sense of realism and panic. Additionally a couple of seconds before this you can see a contrast in high key lighting and low key lighting within the room which can then link to the fact that the family has inner conflict between them with some wanting to do good and some wanting to go and fight against lil ze.












flash forward
takes you away from realism
shows that he's decision is made as soon as he picks up the knife

Thursday 1 October 2015

Alfred Hitchcock Catalogue- In what way does Alfred Hitchcock's specific use of suspense make him an auteur?

In what way does Alfred Hitchcock's specific use of suspense make him an auteur?

Psycho (1960)
Dir. Alfred Hitchcock
Item 1: Psycho (Focus Film 1)
The genre of Psycho is horror, this is my focus film because the auteur uses a lot of simple effects like sound and lighting to give the audience suspense. Hitchcock successfully abides to the horror genre due to the pattern of 'damsels in distress', which are repeatedly used in the majority of his films. In the iconic scene of the women getting stabbed in the shower, Hitchcock creates terror among the audience and uses the point of view shot of the murder to reflect the fear of the woman. Suspense is created in many scenes for example the shower scene is probably the most suspenseful in terms of the whole film and the build up before it goes to the death scene. This film text is going to be used in order to display the most iconic Hitchcock film scenes to establish why he is the master of suspense and how this does make him an auteur.



Vertigomovie restoration.jpg
Vertigo (1958)
Dir. Alfred Hitchcock
Item 2: Vertigo 
Is a psychological thriller based on the novel, 'D'entre les morts' by Boileau-Narcejac, Hitchcock successful captures the theme of fears, this is because the main character, John develops the fear of  acrophobia, which is the fear of heights and vertigo, which is a sensation of false/rotational movement. The camera shot that acts as the turning point of the plot, is when John is hanging from the gutter pipe and looks down; this creates the fear which plays a big part of the narrative. The camera shot is looking between two buildings using a bird-eye shot. This creates empathy and fear amongst the audience because it is used as a point of view shot, defining him as a auteur. By using these shots he is able to create a large amount of suspense, is John going to fall? is John going to survive. By using these shots and having the narrative already explain his fears to the audience he is able to go and be a director and instead of state, he can create the fear all with the use of suspense.

The Birds original poster.jpg
The Birds (1963)
Dir. Alfred Hitchcock


Item 3: The Birds 
This is another one of Alfred Hitchcock's films based on Daphne du Maurier book of the same title. Immediately the film is a Horror/Thriller hybrid which means a massive cause for suspense which makes it easier for Hitchcock as a director to portray he's use of suspense which makes him a great auteur. He shows this though his use of sound, he creates tension within the audience.

Item 4: Dictionary definition of an Auteur.
  1. "a film director who influences their films so much that they rank as their author."

Item 5: The Genius of Hitchcock; Sight and Sound Magazine, August 2012, Page 40.

"I'm 47 years old now, and every day when I go into the shower and turn on the tap, I think of Psycho (1960)" - Del Toro.
Page 41
"Drama is life with the dull parts cut out"- Alfred Hitchcock
Page 42
"All so different - so which one of those is Hitchcock? He's all of them. Over the course of more than 50 films, he became a genre himself."

Within this magazine I will use various quotes in order to back up my response to how Hitchcock's use of suspense makes him an auteur. I will be using quotes from Hitchcock himself and Del Toro. Which shows both his own and another point of view.

Item 6: Hitchcock is still on top of film world, Roger Ebert 

"By making a cameo appearance near the beginning of almost all of his films, he became personally famous at a time when most people never ever thought about a film's director."- Roger Ebert.

I will use this to back up the fact that Hitchcock became influential and he changed peoples thoughts on film within his time as a director within my presentation script. 

Item 7: Alfred Hitchcock Book Quote

"In fact, the auteur theory itself is a pattern theory in constant flux. I would never endorse a Ptolemaic constellation of directors in fixed orbit. At the moment, my list of auteurs runs something like this through the first twenty: Ophuls, Renoir, Mizoguchi, Hitchcock, Chaplin, Ford, Welles, Dreyer, Rossellini, Murnau, Griffith, Sternberg, Eisenstein, von Stroheim, Buñuel, Bresson, Hawks, Lang, Flaherty, Vigo." 

I will be using this quote which can be found on page 563 in 'Notes notes on the Auteur Theory in 1962' by Andrew Sarris. The reason that I will be using this quote it because within the book it explains the auteur theory and then the author states specific people whom he thinks are truly auteurs. Within this list is 'Hitchcock' which suggests that he believed to be an auteur not just by anyone but by a specialist. 

Item 8: Quote from himself- Good Reads

"Always make the audience suffer as much as possible."

I think that this shows that Alfred Hitchcock purposely has in mind what the audience is going to feel at all times, which I think makes him an auteur because not only is he trying to tell the story he is trying to make the audience feel uncomfortable etc by using technical features to create suspense. I think that by him using the word 'suffer' additionally states to the reader on how Hitchcock is as a person as well as a director. It shows that he is trying to use suspense to specifically make the audience 'suffer' which potentially will make the audience remember his films more because of the emotional trauma they go through from his uses of suspense.

Item 9: Horror Films- James Marriott

"Psycho was,simply, an assault on the audience"- Page 94.

This quote will be used in my presentation script to show that Hitchcock is an auteur and backing up my argument that he takes some of his ideas from being based on real events. He clearly shows you them on screen to add to the reality of it to make the audience feel terrified.

"The only way to remove numbness [of civilisation] and revive our moral equilibrium is to use the artificial means to bring about the shock. The best way to achieve this, it seems to me, is through a movie. -Alfred Hitchcock." Page 2.

This will be used in my presentation script because it shows Hitchcock's thought of view on society. 

Item 10: Alfred Hitchcock- Screenwriter, Director, Producer, Television Personality.
"He described his childhood as lonely and sheltered, partly due to his obesity. He once said that he was sent by his father to the local police station with a note asking the officer to lock him away for 10 minutes as punishment for behaving badly. He also remarked that his mother would force him to stand at the foot of her bed for several hours as punishment (a scene alluded to in his film Psycho). This idea of being harshly treated or wrongfully accused would later be reflected in Hitchcock's films." 

I will be using this quote within my presentation script to back up my point that Hitchcock may be such a great director because of his childhood and his influences.  

Rejected Items

Item 11:  The 39 Steps 
The 39 Steps (1959)
Dir. Alfred Hitchcock
I rejected this film because I didn't think it was helpful or supported my argument that Alfred Hitchcock is an auteur by the use of suspense. Additionally I rejected this film because I thought that it wasn't suitable enough for a contrasting debate.

Item 12:Quote - Alfred Hitchcock

I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.

I rejected this quote because I think it shows him more of a daunting director rather than a suspenseful director.

Item 13:Quote - Alfred Hitchcock

Give them pleasure - the same pleasure they have when they wake up from a nightmare.

The reason I rejected this quote is because I thought that it doesn't specifically address Alfred Hitchcock's use of suspense therefore I did not find it useful


Item 14: Image of Alfred Hitchcock for Presentation Script




Bibliography 
Item 1: Focus Film - Psycho
Item 2:Focus Film - Vertigo
Item 3:Supporting Film - The Birds
Item 4: http://www.oxforddictionaries.com/definition/english/auteur
Item 5: The Genius of Hitchcock; Sight and Sound Magazine, August 2012, Page 40.
Item 6: http://www.rogerebert.com/rogers-journal/hitchcock-is-still-on-top-of-film-world
Item 7: http://dramaandfilm.qwriting.qc.cuny.edu/files/2011/06/Sarris-Notes-on-the-Auteur-Theory.pdf (Page 563)
Item 8: http://www.goodreads.com/quotes/35957-always-make-the-audience-suffer-as-much-as-possible
Item 10: http://www.biography.com/people/alfred-hitchcock-9340006
Item 11: Rejected Film - The 39 Steps
Item 12:http://vickielester.com/2015/02/27/i-am-a-typed-director-if-i-made-cinderella-the-audience-would-immediately-be-looking-for-a-body-in-the-coach-alfred-hitchcock/
Item 13:http://www.alfredhitchcock.com/brand/quotes/
Item 14: http://www.bing.com/images/search?q=alfred+hitchcock&view=detailv2&&id=3E593C137F588E0FE8D2A507014959FC1586FAC6&selectedIndex=1&ccid=WDGCo8MR&simid=608048253340552157&thid=OIP.M583182a3c311a83d52ee5f9fcb73b433H0&ajaxhist=0

Wednesday 30 September 2015

La Haine

What is the importance of mise-en-scene and/or sound in creating meaning and generating response in the films you have studied.
Mise-en-scene is important in any film. This is because it enables the viewer to see more than just the characters within a film. It can foreshadow events by showing images in the background that are similar to events within a film etc. This can then create meaning within a film and build the story up. Mise-en-scene can also tell you a lot about a character, for example if a character is wearing white, they would be seen as angelic and innocent. Therefore all of these things have created a general response from the audience. Which adds to their general knowledge, this helps them form an opinion of characters and scenes.
In ‘La Haine’ when we first meet Vinz we see him in his bedroom and as the camera moves in 360 degrees shot we see his bedroom in detail and through the mise-en-scene we are able to tell a lot about him. La Haine continuously uses 360 degree shots to enforce the quote, “The world only goes round by misunderstanding”- Charles Baudelaire. This quote suggests that the lack of knowledge in a society will create a vicious cycle of struggle for the minority.
From this mise-en-scene we tell he is a religious man, by the traditional Jewish candles. The fact it is in his bedroom, indicates to the audience that he holds strong religious values. There is also a portion of family photos in his room, which also shows that he is family-orientated. This helps the audience see him in a positive aspect because he is a family man and this stereotypically, is the characteristics of a good person.
We can also tell from his bedroom, that he is highly influenced by the all of the American culture. This is shown through mise-en-scene because he has posters of Marilyn Monroe, Bruce Lee and American Wrestlers. This shows that he wants to live the American dream and one day earn enough money to support his family. This also links to the dreamer aspect of Vinz, this would allow the audience to be able to empathize with his situation and connect with him.
His room also includes stacks of American branded shoes and he is wearing a Spider-Man top. This shows that he is attempting to live like Americans and it is a form of escapism. This is evident because although he lives in France, he is wearing American influenced clothes and has American posters.  Which reflects on how bad French society is; by dreaming of America, he is escaping his problems. The mise-en-scene also shows Vinz asleep, which adds to the dreamer characteristic in him and helps re-enforce that idea.
The start of the film it has already been established that it is set in France through location and establishing recognisable shots in the projects. He lives in a multicultural estate, which influences the audience to believe that he struggles to get by due to the range of minorities living in the projects. Due to his Jewish background, the audience can see that he is an outside to the French culture.
In the first narrative dialogue in the opening scene, there is complete silence. Silence can be seen just a powerful as sound, this is because the silence enforces the importance of what the narrator is saying. Silence also causes the audience to pay close attention to the words being used, causing it to become a significant effect. The narrator says, “As he falls, he tries to reassure himself by repeating; so far, so good...” this is said to give the audience the impression that the society that they live in, barely let’s the minority get by. This idea is then enforced by the mise-en-scene a few seconds later, as the bottle rag bomb is thrown at the world. This foreshadows the riots and violence that is later carried within the film. The fact that the narrator says, “tries to reassure”, shows that the people within the projects are unhappy and they are not assured of their stability. This particular mise-en-scene causes an indication of corruption within the world and supports the earlier quote by Charles Baudelaire, that the world is highly misunderstood.

After the bottle is thrown, the world explodes and the narrator says, “It’s not the fall that matters, it’s the landing”. Causing an interpretation that it’s not the journey that matters, it’s the end result. This indicates that the rioters do not care how much of a fight they have to put up, it’s the final outcome that is importance. 

Thursday 18 June 2015

Alfred Hitchcock

A2 Film Studies

Alfred Hitchcock

BornAlfred Joseph Hitchcock
13 August 1899
LeytonstoneEssex, England
Died29 April 1980 (aged 80)
Bel Air, California, United States
Other names
  • Hitch
  • The Master of Suspense
Alma mater
Occupation
  • Director
  • producer
Years active1921–1976
ReligionRoman Catholic[1]
Spouse(s)Alma Reville (m. 1926–1980; his death)
ChildrenPatricia Hitchcock

Often nicknamed "The Master of Suspense",[4] he pioneered many techniques in the suspense andpsychological thriller genres.
After a successful career in British cinema in both silent films and early talkies, renowned as England's best director, Hitchcock moved to Hollywood in 1939[5] and became a US citizen in 1955.

Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style.[6] He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism.[7] He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing.[7] His stories often feature fugitives on the run from the law alongside "icy blonde" female characters.[8][9] Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime. Many of the mysteries, however, are used as decoys or "MacGuffins" that serve the film's themes and the psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual overtones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon.

Hitchcock directed more than fifty feature films in a career spanning six decades. Often regarded as the greatest British filmmaker, he came first in a 2007 poll of film critics in Britain's Daily Telegraph, which said: "Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from viewers) and engaging the emotions of the audience like no one else."[10][11] The magazine MovieMaker has described him as the most influential filmmaker of all time,[12] and he is widely regarded as one of cinema's most significant artists.[13]


biography




GO TO MOODLE GLOSSARY UNDER A THERE IS AUTUER BOOKS moodle magazines
MOODLE DOCUMENTARIES

QUOTES FROM ALFRED HITCHCOCK (typed in Alfred Hitchcock quotes on google)

The length of a film should be directly related to the endurance of the human bladder.
When an actor comes to me and wants to discuss his character, I say, 'It's in the script.' If he says, 'But what's my motivation?, ' I say, 'Your salary.'
A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.
Always make the audience suffer as much as possible.
If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
In feature films the director is God; in documentary films God is the director.
Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.
This paperback is very interesting, but I find it will never replace a hardcover book - it makes a very poor doorstop.
Give them pleasure - the same pleasure they have when they wake up from a nightmare.



http://www.goodreads.com/quotes/35957-always-make-the-audience-suffer-as-much-as-possible

^chosen quote source



The only way to remove the numbness [of civilisation] and revive our moral equilibrium is to use the artificial means to bring about the shock. The best way to achieve this, it seems to me, is through a movie.

Alfred Hitchcock


horror films
james marriott
page 2